On 'Icebreak' a choppy bassline blends with some richly melodic vocals and with another deeply infectious riff, 'Cycle One' is like some sort of unstoppable object gaining more and more traction as the track progresses with a fantastic chorus and vocals oozing with seductive mystery and stinging attitude. 'Vex' is a thrillingly tight icy cool stomp while 'Rosetta's Waves' has many twists and turns, finding it impossible to settle down. On 'The Works' the smart well spoken harmony of the verse is ever so rudely interrupted by the fuzz of its hyperactive bass hook, sounding as dirty as it does addictive. Top marks go to Tom for the drumming too. Beginning with a stark acapella 'Visions of Trees' soon becomes proof that just two people can create something great using just two instruments and in this case just two chords, while 'Into the Cabin' ends with a full on assault brimming with decayed aggression. On 'Skyline Interface' a soaring melody explodes into a riot thanks to another chugging and highly excited riff.
They keep things refreshingly brief on album highlight 'Maths' with its simple yet dangerously bassline and threatening injections of rumbling suspense that load into the wild fury of the chorus. The two piece line up and the absence of multiple overdubs allow the sound to breathe during the moments when the storm brews, like on the brilliantly minimal verses of 'Bitch's Balls' where a disco beat is paired with one of the record's most infectious melodies and a moaning bass, gradually building into a threatening progressive climax.
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